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Installation view, Xu Zhen Supermarket, Sadie Coles HQ, London, 2017

XU ZHEN Supermarket


Curated by Victor Wang 王宗孚
The Shop, Sadie Coles HQ, London

21 September – 04 November 2017

Installation view, Xu Zhen Supermarket, Sadie Coles HQ, London, 2017

Installation view, Xu Zhen Supermarket, Sadie Coles HQ, London, 2017

Curated by Victor Wang 王宗孚
21 September – 04 November 2017
The Shop 62 Kingly Street London W1
Tuesday – Saturday, 11 – 6pm

Sadie Coles HQ and Victor Wang 王宗孚 are proud to present Shanghai-based artist Xu Zhen’s XUZHEN Supermarket (2007/2017) for the first time in the United Kingdom. The project runs in tandem with Zhongguo 2185, an exhibition of ten artists from China.

Xu Zhen (b. 1977) is known for his wry and provocative appropriations of the tropes of advertising, distribution, and consumerism. This project, which has previously been presented in Shanghai, Singapore, New York and Miami, takes the form of a functioning supermarket. Visitors to the store, located in the ground-floor ‘Shop’ space at Sadie Coles HQ, are invited to buy from continually-restocked rows of packaged goods from China – all of them completely authentic, and all completely empty.

Playing out the artist’s interest in capitalist products and processes, XUZHEN Supermarket occupies an unlikely space between installation art and commercial food production. Inviting viewers to invest in empty shells – containers bereft of substance or use value – the venture offers a critique of the often-destructive nature of global capitalism – its relentless cycles of supply and demand, brute logistics and mass consumption, and the aesthetic guises it assumes through branding and packaging. There is also a satirical metaphor, in the hollow vessels, for the international art market and its arbitrary ascriptions of value.

Initiated in 2007, the project embodies many of the characteristics that artist Richard Hamilton identified as defining Pop Art: popular (designed for a mass audience), transient (short-term), expendable (easily forgotten) and low-cost (mass-produced). The stacked, identical commodities of Xu’s supermarket invite numerous parallels with Pop Art’s mergers of art and life, while also implicating viewers as participants – placing them in the role of active consumers.

XU ZHEN Supermarket in this way constructs a space which accelerates and parodies the consumerism prevalent in China – a phenomenon which has frequently eclipsed historical and cultural contexts and traditions. The original food markets of Shanghai, for example, were public spaces for social interaction and entertainment, often visited by families once a day for fresh produce. In recent decades, these traditional markets have been transformed into supermarkets and fast-food dining outlets (first introduced in China in the 1980s to cater for foreigners) – and drained of their historical significance. The customs of community, diet and trade which were ingrained in these social spaces have been exchanged for the mass commoditisation and ‘international aesthetic’ of global chains and franchises. The empty simulacra of Xu Zhen’s store – available for purchase, if not for consumption – express a comic yet mordant critique of this evacuation of history.

Xu Zhen (b. 1977, Shanghai) is one of China’s leading contemporary artists. His practice spans a variety of media including installation, video, painting and performance. In 2004, Xu w on the prize for ‘Best Artist’ at the China Contemporary Art Aw ard. He has exhibited internationally, w ith exhibitions and projects including those at the National Gallery of Australia (Canberra, 2016), Al Riw aq Art Center (Qatar, 2016), Armory Show (New York, 2014), Long Museum (Shanghai, 2015), Lyon Biennale (2013), Hayw ard Gallery (London, 201 2), Tate Liverpool (2007), PS1 (New York, 2006), Mori Art Museum (Tokyo, 2005), The Museum of Modern Art (New York, 2004), and the Venice Biennale (2001, 2005). Xu Zhen has co-curated major exhibitions in Shanghai, and helped to initiate Art-Ba-Ba (w w, a leading online forumfor discussion and critique of contemporary art in Shanghai, in 2006. In 2009, Xu Zhen established MadeIn Company, a contemporary art creation corporate, focused on the promotion of creativity. In 2013, MadeIn Company launched the brand “Xu Zhen”. In 2014, MadeIn Company established MadeIn Gallery and launched the first “Xu Zhen Store” in November 2016 in Shanghai.


+ Jane Morris and Hannah McGivern, ‘Three to See: London’, for The Art Newspaper featuring XUZHEN      Supermarket and Zhongguo 2185.

+‘Why is it crowded in a supermarket selling vacant packages in London?’, Hertz, 10 October 2017

+‘XUZHEN Supermarket opens in London, and at the same time Zhongguo 2185 is staged’, The Art Newspaper China, 04 October 2017

+ TANC | “徐震超市”伦敦“开业”,《中国2185》同时登场 The Art Newspaper, 采访、撰文/傅译文,

“ZHONGGUO 2185 AND XU ZHEN AT SADIE COLES, LONDON“, Cura Magazine, 12 October 2017

+ The Saces, 9 installations to catch when Frieze London comes to town, ART, Sept 29, 2017, By ELLIE HOWARD

XUZHEN SUPERMARKET, Whitelies Magazine,, October, 2017 

Chinese Press Release

赛迪HQ画廊和王宗孚先生(Victor Wang)共同荣幸地宣布,将呈现上海艺术家徐震的“徐震超市” (2007/2017) 在英国的首次展览。该项目与中国2185展览同时展出。中国2185是来自于中国的10位艺术家的联合展览。




徐震超市以构建空间的形式, 有效地滑稽模仿在中国泛滥的消费主义——这种现象经常使历史和文化背景与传统黯然失色。例如,上海最初的食品市场是社会互动和娱乐的公共场所,通常每天都有家庭来购买新鲜农产品。近几十年来,这些传统的市场已经被改造成超市和快餐店(上世纪80年代在中国首次推出以迎合外国人),并逐渐失去了它们的历史意义。这些社会生活中根深蒂固的社区、餐饮和交易习俗,已经被转换为大规模的商品化和全球连锁与特许经营的“国际美学”。徐震超市里空洞的模拟物——可以销售购买, 但不是为了消费——对于这种历史空洞化表达了滑稽而又讽刺的批判。


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